
Perhaps this image works so well because it forged a sacrifice of perfectionism on my end.
Shot through the window of a rickety balcony on a fire escape in a 1940s apartment, with a nearly full card and a broken lens, it ultimately left very little room for overcompensation and complicated nothingness.
A lesson to my own practice, and an ode to the narrative that exists outside of a controlled environment.
I shot Morgan on a cloudy morning in a set of true 1920 apartments. Navigating corridors and stairwells with ornate architraves and millwork run thick with five layers of paint, details softened by time. I concluded that the series traces a decaying history and the deliberate, intentional forgetting within it.
